'Thread in C' is an apt name for this concert, with JS Bach's Suite for Cello in C major weaving between contempory works.
Collusion is a Brisbane ensemble (Emma Baker-Spink - soprano, Ben Greaves - violin, Therese Milanovic - piano, Shannon Tobin - cello and Stephen Wylks - clarinet) who last year stunned me with their performance of Messiaen's 'Quartet pour la fin du temps'; one of the best concerts I've ever been to. Tonight's performance was the opening concert in both Collusion's own concert series and the
Music at St Mary's series, raising money for the restoration of Queensland's oldest organ.
Bach is my favourite composer and the Cello Suites are masterpieces of the solo cello repertoire. Heard a movement at a time, it was a clever juxtaposition against the modern pieces, as it gave each of them the chance to shine in a way that would not have been the same had it been purely a contemporary programme.
Arvo Pärt's 'Spiegel im Spiegel' is a tranquil, meditative piece that makes me think of single drops of rain on an otherwise still pond; the concentric rings spreading outwards, encouraging stillness. James MacMillan is a Scottish composer whose 'Seven Last Words from the Cross' was performed by
Canticum in their Good Friday concert last year. Like that piece, 'Kiss on Wood' is a work of great spiritual passion that makes as much use of silence as intense chords. The smoothness of Ben's playing was a delight. John Tavener's 'Epistle of Love' sets mediaeval mystical texts from Serbia. Emma's singing has a wonderful precision. Intervals are always crystal clear and her diction and ornaments are superb. 'Slice for St Ursula' by Hildegard of Bingen, another German composer, and the only non-modern composer other than Bach in the programme, completed the first half of the concert. In this arrangement of 'O Ecclesia' by Collusion, the cello at times doubled the singing, and at other times played the role of a drone instrument, common in Hildegard's day.
Olivier Messiaen's 'The Kiss of the Infant Jesus' is a complex piece, inspired by a painting that is symbolic of divine love. Therese' playing is marked by an enviable easiness of style, where the music flows with confidence. Larry Sitsky was the only Australian composer featured in the concert. 'Vartarun' is a virtuosic piece for solo clarinet, ably performed by Stephen, whose control over long and soft notes, as well as passages of fast rhythmic variety is absolute.
There is a repeat performance at 3pm tomorrow (Sunday, 11 March), so I encourage Brisbane music lovers to attend! Tickets are $20/$14 and available at the door of St Mary's Anglican Church, Main St, Kangaroo Point.
Labels: Brisbane, concert, review